An Irish family takes in ‘The Boy From the Sea’

One overcast Friday morning in a barrel containing a baby boy washes up on the shore of an Irish fishing town The new arrival hastily causes a stir among the residents of Killybegs hometown of author Garrett Carr Any fresh baby represented possibility but here was one with no parents no history a child who was entirely future Carr s first novel for adults The Boy From the Sea shows how that future pans out for both the foundling and the family he becomes a part of Fisherman Ambrose Bonnar a man who lived for the raw encounter with the ocean brings the child home to his wife Christine and the pair adopt him and name him Brendan Not everyone is happy with this arrangement The couple s toddler Declan right away senses a rival for his parents affections and greets the new child in the house with the word Why Phyllis Christine s sister offers a more articulate but just as blunt response What kind of madness is this The seasons turn life goes on and the Bonnars weather several storms Ambrose has to go trawling in increasingly dangerous waters to make ends meet and put food on the table but when his livelihood becomes too precarious he is forced to look for work further afield and out of his comfort zone On the home front sibling tensions intensify Phyllis resents Christine for choosing to bring up someone else s child while up the lane she singlehandedly cares for their aging father a man who has declared he is finished with living Declan refuses to share a bedroom and a birthday with Brendan and regards him not as a brother but an interloper As the s give way to the s problems mount and divisions seem unbridgeable particularly when Declan develops a criminal streak and Brendan embarks on solitary walks or hunts and bestows blessings on credulous locals Eventually after a scarce close calls tragedy strikes Rather than rupturing the family further it has the likely to bring them closer together albeit at a colossal emotional cost Carr s beautiful and beguiling debut offers plenty of delights The characters live and breathe on the page Masterful depictions of hardscrabble existences on land and perilous escapades at sea are offset with moments of wry humor A crowd gathers at a grocer s window to view Killybegs first-ever pineapple Nobody dared buy it Christine watches an angry David Banner transform into the Incredible Hulk on TV and disapprovingly remarks Terrible waste of a good shirt The book s use of first-person plural narration We weren t the sorts to judge people could have had a distancing effect Instead this communal voice proves effective as it draws us in to share the townsfolk s hopes and concerns not to mention their fascination with Brendan He casts a spell over a small region he is at the center of a novel that will bewitch plenty of readers Tribune News Organization THE BOY FROM THE SEA By Garrett Carr Knopf Grade A